江澤健一郎氏の著書『中平卓馬論 来たるべき写真の極限を求めて』に、金村修が2011年に撮影した中平卓馬の映像作品から切り出した写真が掲載されています。
Kenichiro Ezawa’s book, “Nakahira Takuma Theory: In Search of the Limits of Photography to Come,” includes a photograph taken by Osamu Kanemura in 2011 that was cut from a video work of Nakahira Takuma.
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写真を取り巻く記憶の断絶と連続性
1960年代以降、写真家・批評家として注目されてきた中平卓馬（1938-2015）。初期から晩年までの彼の写真活動と著作の軌跡をたどり、「記憶」を鍵に写真が存在する地平線そのものの条件をラディカルに考察した秀逸な写真論。
The rupture and continuity of memory surrounding photography
Since the 1960s, Takuma Nakahira (1938-2015) has been attracting attention as a photographer and critic. This is an outstanding theory of photography that traces the trajectory of his photographic activities and writings from his early years to his later years, and radically considers the conditions of the very horizon on which photography exists, using “memory” as the key.
